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SNL 50, Featuring the Prophet Archetype in the Crisis Era

SNL 50, Featuring the Prophet Archetype in the Crisis Era

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Last weekend we watched the latest episode of Saturday Night Live, proudly in its 50th season. We didn’t watch it live, but on the Peacock streaming service, on Sunday evening. The host was the very talented Arianna Grande (b. 1993), of the Millennial generation, and the musical guest was Baby Boomer Stevie Nicks (b. 1948).

In her opening monologue, Grande joked about not wanting to upstage the musical guest, but then promptly burst into song. She is an amazing singer, as well as an amazing actor, and I was honestly worried she would be a hard act for the septuagenerian musical guest to follow.

Well, I shouldn’t have been worrying, because Nicks stepped up with a powerful performance of her song “The Lighthouse,” a political anthem and call-to-action, written after Roe v. Wade was overturned. Dressed all in black, on a barely lit stage, she embodied the dark and foreboding mood of her generation, which has always been at the forefront of angry political protest.

They’ll take your soul, they’ll take your power
Unless you stand up and take it back
Try to see the future and get mad

In the generational theory I often advocate on this blog, the Boomer generation, of which Nicks is a member, has the Prophet archetype – moralistic, values-obsessed, known more for words than for deeds. And with her long, flowing gray locks, Nicks sure looked like a Prophetess as she sang out her warning cry.

Now in elderhood, Boomers are facing their final chance to impress upon younger generations the importance of their message. You can feel the sense of urgency in Nicks’s lyrics.

It’s slipping through your fingers, you don’t have what you had
You don’t have much time to get it back

A video of the performance follows, with full lyrics (the closed captions on YouTube are a bit off). This is really just so Boomer generation. EDIT: The SNL video is not available any more so I switched to the official music video.

I have my scars, you have yours
Don’t let them take your power
Don’t leave it alone in the final hours
They’ll take your soul, they’ll take your power
Don’t close your eyes and hope for the best
The dark is out there, the light is going fast
Until the final hours, your life’s forever changed
And all the rights that you had yesterday
Are taken away
And now you’re afraid
You should be afraid
Should be afraid
Because everything I fought for
Long ago in a dream is gone
Someone said the dream is not over
The dream has just begun, or
Is it a nightmare?
Is it a lasting scar?
It is unless you save it and that’s that
Unless you stand up and take it back
And take it back
I have my scars, you have yours
Don’t let them take your power
Don’t leave it alone in the final hours
They’ll take your soul, they’ll take your power
Unless you stand up and take it back
Try to see the future and get mad
It’s slipping through your fingers, you don’t have what you had
You don’t have much time to get it back
I wanna be the lighthouse
Bring all of you together
Bring it out in a song
Bring it out in stormy weather
Tell them the story

Truth is a Casualty in the Age of Performative Politics

Truth is a Casualty in the Age of Performative Politics

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If you watched President Biden’s State of the Union speech last week, and were aware of the Republican response by Senator Katie Britt, you probably know that the latter’s speech has been mocked for its insincere and performative nature. In fact, Britt’s rebuttal was so performative that even as she was giving it, the Internet was anticipating that SNL would parody it in their next cold open sketch, coming just a couple of days later. And indeed they did, though to be fair they also parodied the President.

I do agree that Senator Britt’s speech was performative, as well as inaccurate in its statements but this whole affair reminded me of some important points about the state of politics today:

  • Politicians are performatve because they are not arguing in good faith; they are rallying their side in a partisan conflict. Is Biden really going to enact policies for the long laundry list of liberal/left/blue zone causes he touted in his speech? How could he in this era of dysfunctional government? He is simply assuring his base that he represents their values.
  • The partisan conflict is rooted in the Culture Wars that emerged out of the last Awakening, as evidenced by the conservative/right/red zone trappings of Britt’s speech: Christian family values, nativism, domesicated femininity – all the backlash against the Consciousness Revolution. She is simply assuring her MAGA base that she and the rest of the opposition against President Biden represent MAGA values; she doesn’t need to use facts to do that, just feelings.

The simple truth is politicians in each partisan faction are going to use whatever rhetoric works to reinforce the group feeling within their camp. There’s not much point in worrying about the nuance of what they say, or for that matter its accuracy or whatever hypocrisies are embedded in the rhetoric. We are past the point of anyone convincing anyone through reason. We are in a raw struggle for power, so pick a faction and stick with it. If you can’t or won’t pick a faction, you might want to keep your head down for awhile.

Silents of the Week: the Cast of Grace and Frankie

Silents of the Week: the Cast of Grace and Frankie

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Undoubtedly, the Silent Generation has made a huge impact in the field of arts and entertainment. Their careers go back to the Golden Age of film and to the dawn of the TV era. For my generation, which was weaned on television, they were the young actors of the sit coms and dramas to which we were first addicted as children.

So it is amazing to me today, after we have evolved past the convergence of TV and the Internet and into the streaming era, that their generation still has its own television show. That’s right, I’m talking about Grace and Frankie on Netflix. Every one of the four actors in the roles of the two comically disordered couples is from the Silent Generation: that would be Martin Sheen (b. 1940), Sam Waterston (b. 1940), Lily Tomlin (b. 1939), and Jane Fonda (b. 1937).

Now, it’s true that the show is produced by Boomers and the lead characters are probably meant to be parodies of Boomers, but the Silent personality still comes out. The characters are neurotic and confused, the tone warm and humane. The show is about elders opening up, pushing boundaries, and staying hip with the latest social trends and language – in the 2010s!

Grace and Frankie is the swan song of a generation that has managed to keep itself relevant through over half a century of social change. It is a reminder of the long-reaching effects of the transformative time of their youth – embodied in part in the family dynamic with the main characters’ quirky Gen-X adult children. The plot may be contrived, the writing clichéd and predictable, but the show is always fun.

We’re in the middle of the fifth season and we like the show almost as much as these guys do: