Heros and Villains by the Generation

Heros and Villains by the Generation

One aspect of this era is the wild success of the franchise films based off of the works of two prominent American comics publishers – Marvel and DC.

There is something quintessentially American about the superhero genre. It tells stories where empowered, self-motivated individuals – what all Americans are in theory – strive to better society while struggling with profound ethical dilemmas.  The stories indulge a form of escapism where the intractable problems of the world are conceivably solvable – given fantastical powers and abilities. Why is it so hard to bring peace and stability to the far-flung regions of the planet? Well obviously we simply lack sufficiently advanced technology.

At their worst these movies are trite and tedious, with the same formula repeated ad nauseam. At their best they are rich allegories about power and responsibility, or intriguing character studies. The modern wave of blockbusters has enjoyed tremendous box office success, and love them or hate them, you can’t deny they are a hallmark of our time.

Because I always like to see the generational angle, I decided to catalog the generation and sex of the directors and principal actors in both the Marvel Cinematic Universe and the DC Extended Universe films to date. Actually, only up to how far I’ve seen the films because I didn’t want my research to reveal any spoilers. But that’s close to all films to date.

So here is a summary of what I discovered.

The franchises have been a bonanza for Gen-X men, who comprise the majority of directors, and of actors portraying either superheros or supervillains. Gen-X men dominate as directors, with a few Boomer men joining their ranks, along with one Gen-X woman (the director of Wonder Woman) and one Millennial man (the director of Black Panther).

Gen-X men play a majority of the superheros, though a significant number of Millennials share that role. The iconic Gen-X example is surely Robert Downey Jr. as reckless playboy Tony Stark (Iron Man), who is a foil for dutiful Millennial Chris Evans (technically a Gen-X cusper) as Captain America. A conflict between the two characters is even a major element of the MCU story arc. And DCEU has its own Gen-X/Millennial pair of frenemies – the brooding Ben Affleck as Batman versus the self-assured Henry Cavill as Superman.

GenX men are less dominant as supervillains, because Boomer men have found a niche there. Many of the villains are egotistical and power-hungry Boomer men – James Spader as Ultron, Kurt Russell as literally a character called Ego. Their machinations are always being thwarted by younger heroes – an allegory about our times, I suppose. But Boomer men have also found a niche in supporting roles, paternal and self-sacrificing – like Kevin Costner as Jonathan Kent or Michael Booker as Yondu.

Boomer and Gen-X women have benefited much less from the superhero film phenomenon. There are very few roles for Gen-X women, despite such prominent stars as Gwynneth Paltrow as Pepper Potts and Amy Adams as Lois Lane. Boomer women are similarly underrepresented – the only notable example I could identify was Glenn Close in a supporting role.

With Millennials you see the most gender diversity – there are almost as many female Millennial superheros as male. But with the exception of Gal Gadot’s Wonder Woman, no female superhero has her own movie – a fact not lost on critics. There is a female Millennial villain – Cara Delevingne as Enchantress, and there are two if you count Margot Robbie as Harley Quinn.

The Guardians of the Galaxy movies have the most gender diverse cast – including the only Gen-X female superhero – Zoe Saldana as Gamora. Thus it is ironic that writer/director James Gunn was hashtag metoo’d out of the franchise.

A final note: only one actor from the Silent generation appears in the MCU or DCEU – Anthony Hopkins as Odin.

In conclusion, the modern wave of superhero movies can be seen as the wish-fulfillment of Gen-X men, who are so prominent in their making. Presumably many of the men of that generation grew up consuming the comics and the earlier movies and television shows made around them. Boomer men, who overshadowed Gen-X growing up, get to be villains or supporting characters. Millennials, meanwhile, are along for the ride, with many Millennial women asserting themselves as equals, as the girl power generation has been preparing to do their whole lives.

Assuming the superhero craze lasts for very much longer, can we expect the Millennial generation to slowly take it over, putting an end to the male dominance that characterizes the franchises today? Or will Gen-Xers maintain their control, until the genre is out of touch with the times? I’m always hearing people say they are tired of these movies, yet there doesn’t seem to be an end to them in sight. And personally I’m excited as any fan about the upcoming releases.

The new noir age

The new noir age

My BFF and I binge-watch episodic television on streaming services, or – in the parlance of our times – “Netflix and chill.” We always find, though, that everything in the panoply of shows available, on multiple streaming services, is just so dark. It’s either harrowing, desperate drama or mean and sarcastic comedy. Personally, I like harrowing, but my BFF prefers entertainment with a positive message – but where is it? I suppose in the Kids Profile, but that won’t suit us.

So why is everything so dark in this entertainment era? I think there are two possible explanations. The first is that the fault lies with my generation – Generation X – which currently dominates television and film, as directors, writers, producers and lead actors. GenX likes fiction that is raw and uncomprimising, exposing the rotten side of the human psyche. We like fraying and corrupted settings populated by wandering anti-heros.

Another possibility is that it is simply the zeitgeist, or spirit of the age. It is a deeply pessimistic time, and our society is interested in exploring human failure, at both the individual and institutional levels. That is why there are so many end of the world stories coming out. It’s where we assume we are headed.

Really these two factors intersect, as it is the attitude of the living generations that defines the spirit of the age. So while my generation is at the peak of life and in charge of creative content, you’ll just have to live with the new noir age while we work out some personal issues. Once we get through these dark times, some other generation can create the celebratory epics of our triumphant passage through the gates of history.

Of course, it is also true that there are options for entertainment that my BFF and I ignore – cable and over-the-air television with its many niches and its nostalgia channels. No mind, because my BFF got hooked on the brilliant – and harrowing – Amazon Prime show The Man in the High Castle. And if we want upbeat, we can always watch The Waltons. Yes, on video streaming services one can binge-watch television from 40 or 50 years ago if one wants. Truly amazing times.

Generations in the Age of the Social

Generations in the Age of the Social

I joined Facebook in 2008, the first year of the current Crisis Era. I was really just jumping on a bandwagon – everyone around me was joining and I wanted to be a part of it. It was an early example of FOMO, I suppose. I soon found myself reconnecting with people from my past – from high school and college – distant in time and place from where my life was then. Facebook became a place of gathering. It also became a place to assess my life, as I saw how the careers and family lives of my peers had progressed compared to mine.

Eventually I reconnected in physical space with some friends, and renewed relationships. It was as though – assisted by social media – my life folded back on itself and began again from a past point. I wonder if others of my generation have had the same experience  – a chance to revisit the past and reorient oneself towards the future. Like social media is our hot tub time machine.

I wonder if the experience of social media has been different for other generations. Some Boomers I know have embraced social media wholeheartedly, and post far more than I do. For them the smartphone age represents an even greater technological leap from their childhood  than my generation experienced. Millennials, on the other hand, have joined social media at a younger age than Generation X – in young adulthood rather than midlife – but they still remember a time when it did not exist.

The one generation that stands out as fully immersed in “the social” is the Homeland generation, the first of whom were born in 2005. Their entire lives are documented on social media, from the first ultrasound images in the womb to the latest back to school snapshot standing outside of the family home. They are the true superstars of social media.

I still post regularly on Facebook, using it as a kind of diary to keep track of my life. It is fun to revisit the year and see all the places I have checked in, and my patterns of work and play. It’s also a joy to watch people I know from different times and places in my life come together in a discussion in the comments section of one of my posts.

Lately I’ve taken to Twitter as well to attempt to promote my blog and my thinking. Dare I call myself an “influencer”? Of course not – that is pure vanity. I know a hamster with more followers than I have.

We’ve been in the age of the social for a good decade now. I’m curious about how the experience has been different for people encountering it at different stages of their lives. If you’d care to share your experience in the comments below, please do.

Millennials Are Killing Movie Endings

Millennials Are Killing Movie Endings

I’ve posted recently about Millennials and how they’ve taken over YouTube and invented new genres of video content. One common pattern is to analyze and pick apart other creative content, like popular music and film. Everything gets rehashed so quickly one must be wary of it being spoiled before one even gets around to consuming it in its original form.

Sometimes these channels are silly parodies – I’m sure you have been subjected to videos such as this one at some point. Others are serious and intelligent; I’ve already mentioned in a previous post the excellent set of video essays at Every Frame a Painting

One particular way that film gets worked over on YouTube channels is through proposing alternate plots and endings. It’s almost as though the movie ending is another one of the aspects of modern life that Millennials are ruining.

An example of the sillier sort is How It Should Have Ended. But even though this is a parody channel, it often exposes movie plot problems in insightful ways.  A serious example is Nando v Movies, which focuses on blockbuster hits like the recent massive wave of superhero films. The creator’s mind holds the treasure trove of pop culture knowledge characteristic of the modern film geek.

Here are a couple of Nando v Movies videos where he rewrites the recent Wonder Woman movie. I enjoyed that movie, but have to agree that it was not excellent. It’s hard not to think that the imagined version described below would have been much better. Sorry if this ruins the movie for you.

The Family Gathering Around the Tube

The Family Gathering Around the Tube

In the classic television show The Waltons (which you can binge-watch on Amazon Prime if you’d like), the Walton family is often seen sitting around their radio, listening to news or to one of the Presidents fireside chats. Ever since the invention of broadcast communication using electromagnetic radiation, some form of this ritual has been a hallmark of modern life.

When I was young, we sat around the television, which picked up a signal that was broadcast over the air. It was a huge deal when sometime in the 1980s we upgraded to receiving our signal over a wire. Even back then we had many electronic devices in the house, in contrast to the Waltons, who only had their beloved radio.

Fast forward to my early adulthood and you might have found my friends and I enacting the ritual around a computer screen, playing a strategy game. We would all have insisted on playing competitively against one another, but today’s young generation can be seen gathered around a game where one person is playing and the rest spectating. Either way the social bonding around the screen remains a constant.

Now that I am in mid-life and enfolded again into a multi-generational family, we repeat the ritual gathered around the Internet. For that is what our big screen is connected to now, the old commercial channel format replaced by streaming on demand. We sometimes sit and watch short videos on YouTube, discussing them in heated arguments, or showing our favorite new finds to one another. For whatever faults the Internet may have, it has become a place of gathering, of sharing and interacting.

I’ll leave off with a video from a YouTube channel we enjoy, since we are all film fans. The channel is a very erudite set of video essays on film technique. Here we learn why Edgar Wright movies are so good (and this was made before Baby Driver).

Seeing Clearly

Seeing Clearly

My vision has been steadily and slowly deteriorating over the years, hence the need for the updated prescription lenses for nearsightedness that I am wearing in my recent profile picture. As my field of vision shrinks, it feels like a bubble is enclosing me, collapsing on me, isolating me and rendering me irrelevant. It’s like there is a timer in my eyes ticking down to a point when they will no longer be useful; when I will no longer be useful. Planned obsolescence – not an unfitting analogy for the limited lifespan of biological organisms, who must always make way for the next generations.

Vision is governed by the third-eye chakra, where life energy is involved with the intellect and with intuition – the higher functions of the human soul, as it were. Since I am very brain-oriented, as our species tends to be, spending most of my time mentally processing symbols at work or at play, I wonder if I am overworking it. After all, my favorite hobby – board gaming – is heavily intellectual. All this analysis in the mind – and how much of it is really fruitful?

Even in this reflection I am surely overthinking things. I’m probably not overstimulating my ajna chakra to a point where I am so caught up in the whirl of internal thought processes that my portal to the external world is closing down. My eyeballs are simply warping over time, entropy taking its inevitable toll as it does on all things physical. But if I am overintellectualizing or overinternalizing, that would fit with patterns in my past. So I’m hoping a little meditating might help. I need to clear my mind, to open up my soul.

A Tale Of Two Generations

A Tale Of Two Generations

Back in the early to mid-2000s, I lived in an apartment in Raleigh, North Carolina. At the end of the block was a commercial plaza which had a barber shop, which is where I would go to get my hair cut. I must have gotten my haircuts there for five years. It was an old-fashioned men’s barbershop, a proprietorship owned and operated by two men. The chairs had ashtrays built into the armrests, though no one ever used them. There was a small TV up against the ceiling in one corner. Customers would hang around just for conversation. It was the kind of business that acts as a “third place,” or place of gathering and shared experience outside of the home or workplace.

From talking to one of the two men who ran the shop, I learned that it had opened in the 1950s. One of them had started the business, and then invited the other to be his partner. This guy told me he had been coming to work at this place ever since. It was the only place he had ever worked – and for longer than I had been alive. In contrast, since graduating from Virginia Tech in 1988, I had worked at ten different jobs in four different states.

Judging from their life story and apparent age, the two barbers must have been members of the Silent generation, born 1925-1942. Their career stability is characteristic of their generation, as my career instability is characteristic of mine – Generation X, born 1961-1981. When you read laments about the lack of job security in this day and age, you are reading about this trend.

This instability hasn’t necessarily been a bad thing. I can’t imagine what it would be like to go to the same place for work for decades on end. Honestly I think it would drive me crazy. I have enjoyed my nomadic contractor life, despite the insecurities, as I described in an earlier post. I have been exposed to so many different environments, and met so many different people. It’s been an adventure. But what I have missed, which the two Silent generation barbers enjoyed, is a deep sense of belonging to a community of people rooted in one place.

Shortly before I moved out of that apartment, I heard from the old guy while he was cutting my hair that his partner had gotten sick, and was planning to retire. He was going to retire as well, since he didn’t want to run the business alone. Not long afterward, the store was empty. The chairs, the counters, the TV on the shelf – everything was gone.

Then a tattoo shop opened up at the same location. It only lasted a few months before it closed – some younger entrepreneur’s failed dream. Next came a gift shop. Then I moved away, so I have no idea if the gift shop lasted, or if any business with staying power could ever survive there again. Or where all the men who used to hang out at the barbershop now went to instead – if they ever found a new third place.

The Memorial At The Site Of The Shooting Where Route 100 Meets Route 202

The Memorial At The Site Of The Shooting Where Route 100 Meets Route 202

On the drive from my BFF’s home to my apartment in West Chester, Pennsylvania, I come down Route 100 South to where it merges into Route 202 South. Just before the merge there is a chokepoint where the two lanes of Route 100 converge into one, and the lead up to this point is so long that vehicles often race one another to the first place position. This can get messy when traffic is heavy.

There’s something about being behind the wheel of a vehicle that can bring out the worst in people. Part of it is anonymity – when you are driving you are unable to see the other drivers, to look them in the eye. It is the same phenomenon that turns people into jerks on the Internet. Part of it is the way being in a vehicle insulates you from the reality of your situation and the danger you are in. It can’t be worth all the energy and risk put into aggressive driving to save a few seconds or jockey for position, but people do it anyway, as though unaware that the real stakes are not their status but their very lives. This is all covered in a fascinating and illuminating book called Traffic: Why We Drive the Way We Do¬†which I recommend to anybody.

In July 2017 two vehicles met at the convergence point on Route 100 South and in the ensuing struggle to merge a tragedy unfolded. One of the drivers shot a handgun into the other driver’s car, killing her. The details of the case read like an awful convergence of today’s troubling social issues, an absurd outcome of our exaltation of individual rights, an ominous sign of the undercurrent of conflict beneath our civil society. Or it could just be the story of one person making a very poor choice.

At the site of the shooting there is a roadside memorial. The choice of the sign – HATE HAS NO PLACE HERE – aligns the message in the current political environment. It’s as if to say: please stop killing us.

There is some consolation, I suppose, in knowing that authorities have placed highway signs in honor of the victim. Just a few weeks ago, the perpetrator pleaded guilty in court to third-degree murder, and will receive his sentence by the beginning of next year.

Feet Firmly On The Ground

Feet Firmly On The Ground

I haven’t mentioned this online yet, but I had a minor foot injury which has plagued me for the past couple of weeks. It has finally¬†healed to the point where I can walk without pain, and what a relief! I feel like a new man – you know that feeling when you have recovered from a health condition and you are energized like you have tasted from the fountain of youth.

The foot is a part of the body governed by the root chakra, where life energy is involved with survival and physical security. When I was limping from my pain I thought to myself, well if the zombie apocalypse starts now I am f*****d. The rest of you might as well let them get me if it will buy you a minute or two. I didn’t want to stand even, only to sit as much as I could.

It makes a lot more sense to me now that the lower limbs are associated with the root chakra – they are essential for “fight or flight” to even be an option. It sure feels good to walk freely and to appreciate the power of Mother Earth at my feet!

Halloween scare (or not)

Halloween scare (or not)

It was awesome to see the new Halloween sequel on Halloween night, because the movie is set exactly then – 10/31/2018, forty years since the original movie’s horrors on the same date in 1978. The movie was good – exactly what you’d expect, and with the same awesomely creepy music.

We were two adults and one teenage boy, but the boy wan’t worried about being frightened. As he explained to us, he never gets scared by horror movies. We adults both recalled that we did get scared (I remember having nightmares over the Frankenstein monster), but perhaps the young generation is hardened now because of all the exposure to violent entertainment from multiple media sources.

Or perhaps, I speculated, we’ve all gotten so used to mass murder in real life that it is impossible to find it shocking or frightening at all. Which turns out to be exactly the point made by one of the teenage characters talking to his friends in the movie. The babysitter murders of 1978 just seem so mild and quaint to the teens of Haddonfield, Illinois in 2018, who might reasonably anticipate being shot up in school on any random day.

I won’t say any more about the film except that if you are a franchise fan, you will find this one to be a satisfying sequel. I can’t personally compare it to the other sequels, since I have not seen any of them, but the buzz on the Internet seems to be that it is the best of the lot. This is probably because, while it has many updates appropriate for the times, it stays true to the feel and form of the original.