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Me and My BFF Go to See some High School Musicals

Me and My BFF Go to See some High School Musicals

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If you follow me on social media, you may have noticed that a lot of my posts lately are about going to see high school musicals. What’s up with that?

In some ways, it’s just getting back to normal. Over the past decade or so, my BFF Aileen and I have been going see lots of shows – professional, community theater, and at schools. This was put on hold for a couple of years because of the pandemic. This spring season, theater is back! At most of the productions that we’ve seen lately, the director’s notes in the program or the curtain speech make a point that it’s the first live show in the space since 2020.

But there’s also a particular reason for going to all these high school shows. Starting this year, I am an adjudicator for the Philadelphia Independence Awards. That means that I’m not just watching, I am judging the performances and technical aspects of the shows, and providing constructive feedback. I am very grateful for this opportunity, which I’d like to think I earned through my excellent writing in the past, though I know that mostly I owe it to the recommendation of my friend Aileen.

In the years that I have been going to live theater with Aileen, I have learned that young people are just as capable and talented as adults. Seriously, we have seen some high school productions that were better than stuff we’ve seen on Broadway. As an educator, Aileen has always believed in teaching children that they can do anything they set their minds to, and the kids at the shows we’ve been seeing have certainly proved her point.

Looking forward to more shows in the weeks to come!

2021 Halloween Scene

2021 Halloween Scene

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We wanted proper Halloween decorations this year, and this is what we ended up creating. I say “we” but it was really the rest of the family. Mostly I just fetched stuff, and wrote this chronicle. The background behind this fantabulous scene: it’s largely made up of set pieces from Aileen’s theater productions of the past. She has a storage building out back full of set pieces and bins of props and costume pieces.

The head in the center is a set piece from the Wizard of Oz. It was donated to Aileen’s theater company from another production, though she never used it. I did help with digging it out and transporting it (it’s huge and quite heavy), as well as securing it with bungee cords. It makes a great centerpiece; I think it looks like some mad scientist supervillain.

The gravestones/tombstones are made of styrofoam and were used in Aileen’s production of Dracula in 2016. The urns in front are also styrofoam and may or may not have been used in a set. Those pieces all came out of the attic, where a part of Aileen’s huge costume collection is kept (a lot more is at the theater where she works).

The skeleton on the left was in the storage building, and the reason you only see part of it is that it was a bit decayed. Another frightening fact about it is that when Aileen went to retrieve it, she unleashed a swarm of wasps! Some type of paper wasp had constructed a nest inside that was attached to the spinal cord. She fled the building, then after a bit sprayed the nest, and a day or two later we gingerly retrieved the skeleton and removed the paper nest (the wasps were still in the building, clustering on a nearby window).

The skeleton on the right was a new purchase; it has red LED eyes! The lights in the center were also a new purchase. The flood lights, however, have been with Aileen’s theater company for ages. They are outdoor flood lights, so safe to keep in front of the porch, and it’s a good thing they are, because it has been raining a lot lately. The candles you can see here and there are battery powered and are a staple in Aileen’s productions.

The best part of the tableau is the pumpkinhead guy in the back. That was put together by Aileen’s son Tiernan, who used a mask he wore in a previous Halloween costume, and some orange fabric. It’s sitting on a top of this weird lamp that has plastic strands or tubes lit up by LEDs; I don’t know what to call it. Two of the tubes are twisted up and inserted behind the mask to light up the eyes. The lamp was used as a fairy tree in a production of Midsummer’s Night Dream. Now it’s a spooky pumpkin tree!

I hope you enjoyed this detailed look at our 2021 Halloween scene, which you can see in person if you ever drive through Morgantown, Pennsylvania this month.

Have a safe and happy Halloween!

Our Recent NYC RETURN where We “Get Down” with SIX Wives

Our Recent NYC RETURN where We “Get Down” with SIX Wives

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This is a post about going to see SIX on Broadway, a very popular musical which has just begun performances post-COVID. Tickets are in high demand and very expensive and it was only by good fortune that my partner and I were able to go.

GETTING THERE

Since the show opened in previews on September 17, I had been entering the Broadway Direct lottery to get tickets. I don’t know all the details of this program, just that tickets are offered for a very low price to certain extremely popular shows that might be priced out of the range of many theater goers. But it’s a lottery; you sign up for the next day’s show and some small number of winners are offered tickets at a steep discount. I had entered the lottery for Hamilton every day for a very long time, before we finally went to see the show in Chicago a couple years ago. Every day I would sign up in the morning, and in the evening would get an email wishing me better luck next time. I started doing the same for SIX, expecting the same fruitless results.

Imagine my excitement when an email came informing me that I was on the waiting list. If I was chosen (presumably because another winner had missed or passed up their chance to buy the tickets) I would get another email, after which I would have 60 minutes to purchase the tickets. I waited expectantly and not an hour later a second email came. I had won the tickets! It was two tickets (the most you could sign up for) and they were $30 each. I quickly paid for them, and bragged about it on social media.

Next I had to reshuffle my work schedule, since it was such short notice. I honestly never thought I would win and that this would ever come up. I had won the tickets for the Thursday, September 23rd performance at 8 PM, but I had obligations at work that would normally have kept me late. There was no way to keep these obligations and make it to the show. But I was able to get other team members to take them on for me, so I could work a half day and we could leave as soon in the afternoon as possible.

The next day Aileen and I left at about 3:00PM, driving to New York City. Parking had already been arranged. It was raining heavily, which slowed us down. It took us over three hours to get there, and by the time we parked and made it to the theater we were soaking wet, despite having thoughtfully brought umbrellas with us. We had hoped to eat some dinner first, but it was already after 7 and there just wasn’t anywhere appealing to even grab a quick bite. We decided to get in line and eat out of the concession stand in the theater.

SAFETY CONCERNS

We were concerned, of course, about COVID-19. This concern had kept us from attending other events, and generally limited our going out to do anything lately. But I guess the lure of getting such a huge discount on tickets, and of seeing a show that is the current hype, was too much. Plus they had COVID-19 protocols in place – you had to be vaccinated, had to have proof of such, and were required to wear a face mask in the theater.

In line, everyone was indeed wearing a face mask. Not much of an intersection between the anti-masker crowd and the Broadway theater audience crowd, perhaps. There was a friendly young man who had a badge on identifying him as a COVID safety officer, who examined our ids and our proofs of vaccination. I had the original card they had given me at the drug store when I got vaccinated, and Aileen had a photocopy of hers. We were given the all clear. We had to wonder, though, if anyone might have showed fake evidence. It wouldn’t be too hard to rig up a fake card, especially if a photocopy or a picture on your smartphone were acceptable.

Once in the theater, we discovered that our tickets were in the front row. This was another fun twist. It also made us a little more comfortable from a COVID perspective, because we had room in front of us. The extra room also helped with the drying off bit. I got us some very expensive pretzels and candy from the concession stand and we sat and waited for the show to begin.

THE SHOW

SIX is an hour and a half long show that is basically a rock concert ostensibly performed by the six wives of King Henry VIII. The idea is that they’ve come back from the dead to entertain the crowd with their stories. So since they’ve come back from the dead, they aren’t required to be historically accurate. Their costumes are kind of half way between renaissance dress and glam rock or pop from modern times. It’s an all-female cast, including the musicians, who are also on stage. It’s also cast color-blind, in that the wives are not cast with ethnic accuracy to the original wives: they are black, white, brown and one is Asian. Each wife sings a solo about her own story, and these songs are bookended by ensemble numbers that set up the show and wrap it up with a message of female empowerment.

The Broadway 2021 production is energetic and a lot of fun. The singing is expert, the lyrics catchy and clever (with a lot of historical facts mixed with anachronistic references to the present), and the boots, according to my partner, are “freaking sweet.” Sitting in the front row helped draw me into the celebrity worship aspect, as I sat (and later stood as requested), staring raptly at the performers. I even got a flirtatious glance from Katherine Howard during her number (I think).

Henry VIII is arguably one of the most famous monarchs in history. The play references his fame a lot, and the subsequent fame of his wives and their personal reputations. The wives spend the bulk of the play arguing with one another over who was most maligned by the portly Prince. SIX also questions whether it was Henry who made his wives famous, or the other way around. Although the play (at just around 80 minutes with no intermission) seems short for a Broadway outing, the snarking of the queens feels like it goes on a bit too long. But once it gets to the meat of WHY the queens are famous, it finishes well. These women are, after all, the original “Real Housewives of Hampton Court,” and just as much celebrities as their shared spouse.

Even though the musical is short, it has lingered with us long after those 80 minutes. Since last week, we’ve been really interested in the six wives and their impact on history – which is epic, really, when you think about what happened to England because of their relationships with Henry. The Tudors were arguably one of the most impactful families of that, or any time. So we decided to watch The Tudors Showtime series again, and I started reading a book Aileen has about the six wives.

Well, I can assure you from reading the book that the Showtime series is no more accurate than this Broadway production. But that’s not the point, right? These shows are fictionalized recreations of well known historical figures and events that use facts and invention equally, as convenient. These aren’t really the six wives of Henry VIII, these are celebrity rock star versions. The program for SIX even mentions the specific pop stars after whom each queen is modeled. We’re supposed to treat them like divas.

Is it weird or wrong to worship celebrities? If it’s an all-consuming part of one’s life, I would say that’s not healthy – but for the short duration of an 80 minute diva rock roast, it feels like silly fun to pretend. Theater is a mutual relationship between performer and audience. Each needs the other to generate the emotional tension and catharsis that is the heart of theater and SIX relies on it.

The celebrity worship aspect is also, I suppose, part of why the ticket prices for this show are so high. Young women everywhere are reveling in these empowering tunes right now. That and the simple fact that it’s the current hot thing. If you try to book front row seats for an upcoming performance right now, you’ll find they are going for $500. I can’t imagine paying that much; it’s not that good. I’m not sure that any show is worth $500 to me, frankly. But it was certainly worth the price we paid, even a bit more, and that’s with all the hassle of getting there in the pouring rain. I would love to see it again, but from the back where I could get a better appreciation of the choreography and blocking and those “freaking sweet” heels.

(Full disclosure – Aileen helped me a lot with this one, because she is a theater reviewer. Soon she will be uploading her own blog posts here, so look for that!)

Theater Emerging

Theater Emerging

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A year ago we were deep in the pandemic, and my best friend and partner, who works in the theater industry, was not able to work. All of the summer work that she had lined up in 2020 evaporated with the lockdown. She could have just stayed at home for all I cared, but she is too driven and needed to do something, so she ended up taking up a job as a census enumerator. This stressed me out a bit, as she spent the late summer and early fall wandering the area, visiting the homes of recalcitrant people. I mean, people who don’t do their census aren’t going to want to be bothered about the census, right? I thought she was very brave for taking on this job. After that gig ended, she worked for a high school as a Covid safety officer, which entailed patrolling the halls and making sure the kids were following protocols (they weren’t). That job ended with the school year.

Aileen Lynch McCulloch

Now it’s summer, and with the pandemic “over” – or at least “winding down” – she has gone back to work in her field. I’m glad for that, because she is clearly much happier. She just finished running a production workshop for teens, producing the musical Chicago: High School Edition. If you don’t know what this means: a production workshop is an educational program, like a summer camp, where each student pays a fee to participate. Chicago is a famous musical by Bob Fosse and Fred Ebb which satirizes celebrity crime culture in the 1920s. “High School Edition” just means that the script is shortened and cleaned up a bit, so it is appropriate for younger people.

The fees the students pay cover costs like rent to the space, and the licensing fee to the rights holders. This latter cost is substantial – as in three figures – and depends on the number of performances. In this case, there were four live performances (as opposed to streaming online performances, which was a popular way to do it during the pandemic). Rehearsals started while there were still significant restrictions on group gatherings, so they were online at first. In fact, the auditions were all done by having the students submit videos. Note that every kid who auditioned was going to get cast (that’s kind of the point of an educational workshop), but auditions are still used to cast the specific roles.

Once restrictions eased, some time in June, rehearsals moved to the theater space. At first, many kids weren’t yet fully vaccinated, so everyone wore masks while rehearsing, and temps were taken. By the end of rehearsals, almost all of the kids were vaccinated. I got to see a couple of the dress rehearsals during tech week! If you don’t know what “tech week” means, it’s the final rehearsal phase when the lighting and sound is integrated into the show. Here’s a photo from dress rehearsal, of the merry murderesses performing the Cell Block Tango:

The show went up in early July, on the weekend after Independence Day. Audience members were required to wear masks, though the performers did not, except for two who wore face shields. Those were the two cast members who were not vaccinated. Some audience members refused to come see the show because masks were required. This was actually the desired outcome, and it was probably for the best, since the Delta variant is now spreading like wildfire.

Here’s a short review I posted after the first show:

It’s too bad there are only four performances of this show, since the cast and crew have pulled together a tight and energetic production, showcasing the talents of multiple young performers, directors and designers, and you won’t want to miss it. A teen production of Chicago HS Edition, on the heels of the pandemic, was a gutsy choice for director/producer Aileen Lynch-McCulloch, but as is usual for her, she has pulled it off. She demonstrates her knack for finding the perfect cast, and for translating a script onto the stage in a tight time window and with a shoestring budget. Minimalist set and costume choices, on a stark stage with smooth lighting, succeed in conveying the characterizations and the storyline, giving the talent the opportunity to shine. The director’s faith in the ability of youth and commitment to helping them find their voice have once again resulted in an amazing production. Get a ticket if you can!

I wrote this blog post to extol the talents of my good friend, Aileen, and to raise awareness of the challenges facing the theater industry as we emerge from the pandemic. This production of Chicago was slipped right in between the beginning of vaccinations and the surge of the Delta variant; it may have been a fortuitous occasion that can’t be repeated in the near future. In her role as Artistic Director at The Center Theater, Aileen would like to plan more productions, as part of her program called The Arts Bubble, “a healing project created to help audiences return to the live performance spaces.” But obviously this depends on the state of the pandemic.

I’ve been following Aileen’s work for many years, and it really is amazing to behold. She can handle all aspects of a production – directing, producing, costuming, set design, tech, PR, you name it. When she is working on a project, her commitment is total, and she seems to have an endless reservoir of energy on which to draw. But luckily she has people to help her, so she doesn’t have to do it all herself. She only needs to do three or four people’s jobs instead of ten or twelve.

She has people to help her because over her career she has built up a network of supportive friends, as well as young people who want to come back and work with her time and time again. Many of the teens and young adults who worked with her on Chicago have known her since they were children, when they first acted in a show which she directed. For a long time she ran her own theater company, Vagabond Acting Troupe, and she has also worked as an educator in schools and at other theaters. And she hasn’t changed her fees for over 30 years, while others around her have taken her approach and then raised the cost. Many of her students have gone on to Broadway tours, Cruise Ship entertainment and some have even started their own companies.

I mean, just the fact that Aileen was able to get large audiences to see Chicago and all willingly wear face masks is impressive. And if you think that wearing a mask is just “pandemic theater,” then I submit to you this thought: not wearing a mask is “pandemic theater.” Because everything we do socially, how we dress and how we act, is meant as a signal to others; it’s all a performance. Life is theater, and theater is life. As Shakespeare put it, “All the world’s a stage, and all the men and women merely players.”

So please join me in congratulating my dear friend Aileen Lynch-McCulloch on another successful theater production. And please get vaccinated, because if we don’t get this pandemic under control, we may all have to climb back into our cocoons, and wait another year before live theater can emerge once more.

Watching You, Watching Me

Watching You, Watching Me

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Outside she goes, to explore the planet of the Covidiots. They volunteered her because she’s such a good observer.

***

I worry when she’s gone. The world is plague-ridden and full of hostiles. But at least I have a tracking device with which I can monitor her progress from headquarters.

***

The device in question is our Android smartphones running Trusted Contacts, which lets us always see one another in Google Maps.

***

I had long resisted getting any kind of tracking software for my phone, counting on loved ones to report their location if ever needed. But then my partner got a job as an enumerator for the U.S. Census Bureau. Knowing that she was going out and knocking repeatedly on strangers’ doors, in a country that has suffered an implosion of trust (and never much trusted in government, ever), changed the equation. Suddenly getting tracking software became an imperative.

First we tried Waze, but found the interface difficult. Not to mention I couldn’t see her on the map even though I connected to my Facebook contacts. The app isn’t really made specifically for tracking individuals. But then her son suggested Google’s Trusted Contacts, which integrates easily with our Google accounts, as well as Google software like Maps. It requires mutual agreement between two account holders, and then one can see the location of the other in real time.

Now I can see her as she moves about the area. Since her profile picture on Google Accounts is a sunflower, I see her as a flower floating about town. It’s reassuring to watch her moving in the expected pattern, because I can take that to mean everything is fine.

To her, I would just be a floating head at home base, since I am a privileged stay-at-home worker, not an essential worker like she is. From where I sit, life is safe and comfortable. She is out braving the dangers of post-apocalyptic America, but at least I can keep an eye on her.

***

So I wait into the evening, watching her on my screen. And have dinner waiting for her return, to her one safe haven in this ravaged land.

The Bear Comes Home

The Bear Comes Home

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The culmination of years of events has finally come to pass – I am now officially moved in with my BFF in Morgantown, PA. Depending on how much you have followed my blog and whether or not you know me IRL, you may have been watching the story unfold.

First, she came to visit me from Pennsylvania while I was living in North Carolina. Then we started visiting each other frequently and travelling together, and a new phase of our lives began. I went up and met her kids for the first time; they were boys age 10 and 13. She came down and met my tabletop gaming buddies. She even brought the kids with her sometimes, and they all joined me at gaming conventions.

Sometimes I would go up to see her, and sometimes she would come down to see me. And we went on a lot of fun trips together. She took me on my first trip to New York City, and to my first Broadway show. We’ve seen so many shows since then; I’ve basically become her theater buddy. And since she’s a director, I got to see a lot of her shows. I became her number one fan.

We travelled to Chicago every summer for G-Fest along with the boys’ Dad, who is also my friend. This was a tradition with them since the boys were even younger, and my joining them was part of the process of being enfolded into their family. But I wasn’t completely enfolded yet, since I was still living in North Carolina. The distance between us was kind of fun at first, since it was exciting to see each other again after an absence of a couple of weeks. But the travelling got tedious. It was a seven hour drive between our houses. Flying was an option, too, since we could get cheap tickets on Frontier Airlines, but even that has its inconveniences.

Then, a few years ago, some Water Spirits came and trashed my house, teaching me a lesson about the relative importance of material things, but also helping me to realize what a spoiled bear I am. Some months later my job in North Carolina came to an end. It was starting to look like the Universe was sending me a message. I went up into the mountains to watch a solar eclipse and ponder my next course in life.

I started looking for work in Pennsylvania, so that I could move closer to my BFF and her family. I enjoyed my last months in North Carolina boardgaming with my buddies and performing with my choir. Then I landed a position in Wilmington, DE and in a whirlwind five weeks got an apartment in West Chester, PA and moved on up. My recently renovated house quickly sold, and I’m pretty sure the buyer re-did all the work that the insurance company paid for.

The apartment was expensive and the commute to Wilmington was a pain. It made sense for me to eventually move in with her family, though I would have to find a new job first that would put me closer to her house. I have to admit I was dragging my feet. I have a lot of stuff and I like to control my personal space. It would be a big change for me to move in with someone for good, after more than a decade of living alone.

I did get a new job, which took care of the commuting problem. And then along came a little thing called the novel coronavirus. Suddenly I was working from home, and it only made sense for me to be doing this from my BFF’s house. I brought my essential things over and hunkered down with her. The apartment languished, unused.

As we got used to the routine of living together and sharing her house, it was obvious that I should just complete the move. There was a little wrangling over how we would use the space and where my stuff would end up. I mostly fought to have a place to shelve all my books and boardgames – that carefully curated collection I’ve built up over my many years. Figuring out how to share space is just part of the hard work of building a lasting relationship.

The big move happened last week, and all that’s left now is to clean up the apartment and collect a few final possessions. The lease expires soon. As for my new commute – well, I’m not sure when that will start up. Pennsylvania is loosening coronavirus restrictions, but I haven’t heard anything about going back to the office. So I’ll be here in Morgantown for the foreseeable future.

It’s been a long trip to get to this stage of my life. Along the way I’ve done a lot with my BFF, and our relationship has bloomed. I’ve joined her family and I’ve watched her boys grow up – her eldest is in college now, and has a car, a job, and a girlfriend! And it’s good that I’m living with her now, considering that she needs support at a time when her industry – theater – is so troubled.

It’s also good that we got so much travelling done during the past six years, considering that we’re likely to be homebound for a long while to come. I’m just glad that home is here now, with my girl.

Books and games waiting to be unpacked in the office.
Keeping an open heart

Keeping an open heart

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Last weekend I went to Manhattan to catch up with my BFF, who was already there for a conference. It’s the greatest city in the world, and I love to go there and feel the energy of the teeming masses and all the things there are to see and do. But mainly the plan was to see a show. You know what I mean: a Broadway show.

We saw two, one on Saturday and one on Sunday. What we do is go to Times Square where there is a booth to get discount tickets. You won’t get to see a show that is selling out this way, but there are enough options to find something you are interested in, and the tickets will be about 50% off. I got to pick the shows this time, because my BFF was so busy.

Saturday’s show was Waitress, a reliably fun and romantic romp through the life of a working girl whose dreams are grander than her circumstances. These productions know how to tug on your heart strings, and take you on an emotional ride – up and down like a roller coaster. TV and movies can do the same thing, but live theater is much more powerful. The experience leaves me enervated, but during the show I feel my whole being expanding with joy, from the center.

What I’m feeling is my heart chakra blossoming open. That’s the central of the seven chakras – there are three below it and three above. Theater, done right, connects you to the emotional core of your being. It makes you care. Yes, about something fictional, but in doing so it has healing power. Mushy romance to stir up your heart is vital to living a long and healthy life. I highly recommend it.

My BFF meets the King

Sunday’s show was King Kong. Which we absolutely love, and in fact we were seeing it for the second time. It is not as emotional a show as Waitress, but it is wondrous because of the skillful puppetry. It also has a standout performance from the lead, whose acting brings the great beast to life. I believe you have about a week to go see it before it closes.

But even if you miss it, at least get out there somewhere and see something romantic. Or even just watch it on TV. Your heart and soul will be grateful. Namaste.

My Summer Vacation

My Summer Vacation

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This post is about a long vacation taken with my dear friend Aileen, which included a road trip to Chicago and then a four-day weekend in New York City. We did so many things in two weeks that I am calling it a “craycation” – the opposite of a staycation.

For the trip to Chicago, we rented an SUV, since we were transporting ourselves, three boys, and a large kaiju costume. Why, you ask? We were on our way to G-Fest, the world’s largest gathering of Godzilla and Japanese monster fans! I have to thank Aileen for letting me share her kids, since I don’t have any biological children, but believe that it is fitting in my stage of life to assume some sort of fatherly responsibility for the next generation.

Well I was certainly given that chance, and it was a test of my endurance and my tolerance. It’s a challenge for me to be in a family because I have been alone for almost all of my adult life. Part of the logic of renting a full-sized SUV was knowing we would all be in close quarters for a week and could use the extra space. When the kids asked about its fuel efficiency I said, “It gets ‘Murica miles per gallon!”

We drove to Chicago via Pittsburgh and Cleveland, stopping at no fewer than four different museums on the way. The first was Fort Pitt in Pittsburgh, because I like history – so get you some history, boys!

Pittsburgh skyline
Pittsburgh is quite a lovely city

There was also the Living Dead Museum in Evans City, where George Romero’s Night of the Living Dead was filmed, including a visit to the cemetery where the first scene was shot.

In Cleveland we visited the Rock and Roll Hall of Fame, which is a lot of fun, and if you could make only one of these stops I would recommend this one. As we got closer to Chicago, Aileen discovered this place in a brochure at a rest area, and it became our bonus museum.

Titanosaurus has been spotted on the outskirts of Cleveland!

Once we got to G-Fest, Gavin joined us by plane. Then it was three+ days of monster fun, including movies, art, action figures, our second annual victory in the Kaiju Assault tournament, and of course the costume contest.

The return to PA was accomplished in an epic 13-hour drive in one day, made easier by the audio book of Watership Down.  But there wasn’t much time for rest for Aileen and I, as we next drove to New York City to attend a Broadway teachers’ conference.  This was for her work, and I was attending for companionship, learning, and to see some shows!

There were workshops, including learning dance moves from one of the dance captains from Hamilton, and other kinds of educational workshops which were new to me, although old hat for Aileen. There were talks and chances to learn about what life is like for professionals in the Broadway world.

And then there were shows, the two best of which were Dear Evan Hansen and Come From Away.  Oh, and let’s not forget a stop off at Madame Tussauds. 🙂

And just like that two weeks are over and this exhausted bear has to get back to the grind.  Five museums, two conferences, seven stage shows and three movies later the bank account feels starved.

Titanosaurus roaming the halls at G-Fest

I am so grateful to Aileen for letting me into her family, for giving me the opportunity to tell Dad jokes while driving a gas-guzzling SUV down the hot and crowded highways of post-modern America, and experience a family vacation with all its tensions and dramas and excitement and joy. I’ve been alone most of my life, and I feel like I’ve missed out on much of what life has to offer, a fate for which I am fully responsible, since it all came out of choices I have made.

But I look around, and see how lucky we are to be alive right now. Our generation is at its peak in life, and we are making our mark in entertainment and in business and in politics, and it’s messy and it’s scary, but that’s just how my generation grew up to be, so we’ll just have to go down the road and see where it takes us. As my career continues to ascend, new possibilities open up for a life the feels like it has only just begun.

This is why I vacation like I’m running out of time, ’cause there’s a million things I haven’t done. But just you wait.